Tomato Time!

Every couple of years my wife's family gets together in the sweltering heat to make the new batch of tomato sauce. This time-honored tradition is announced a few days prior to the event with the now familiar cry of "hey! It's-a time to make-a 'da sauce-a!" What this means is that, for one sweat-filled weekend the Vendomes and Fuschettos and Lanzettas and one German come together to make enough sauce to last another 2-3 years (the last time we did this was in 2004). For this round I managed to sneak a camera into the house and document the process for posterity.

The process of gathering the materials starts a few days before. Basil is gathered from the house upstate. Empty jars are collected from everyone's house - dozens of jars are gathered. We've been known to use old iced tea bottles, mayonnaise...anything with a good seal can hold sauce. My mother-in-law supplements her own home-grown tomatoes with about 15 cases of additional tomatoes from the local market. Apparently the more traditional bushels are no longer purchasable due to the lack of available baskets, so modern cardboard cases are settled for (which we will put into baskets we have stolen from local markets, thus completing a vicious circle - it's things like this that make time travel a priority).

This makes for a lot of tomatoes.

Once everything is collected we move into Phase I: the cleaning and sorting of the tomatoes. This was my function last year, and is usually the province of the men, since it involves sitting around big steel tubs of water washing tomatoes with beer. Please note that at no time (unless I'm sloppy or drunk) does the beer actually come into contact with the tomatoes. This year is no different, except that by the time we arrive with Baby in tow, most of the washing has already taken place, so we finish up in the basement sink. As the tomatoes are washed rotten parts are carved out, then re-rinsed and sorted into empty cases for cooking later.

Ah, the Italian basement. If you've never had the experience of working or eating in a basement with a traditional Italian family, you're missing out on something special. It's small, over 115 degrees with the various burners and ovens on, the ceiling's only about 6 inches above your head (if your a "Giant German," as I am sometimes called), and it's chock full of loud, happy Italians, either working or walking around making sure that everyone's eating and drinking as they work. One minute my wife was washing tomatoes next to me, the next she was twirling around the basement with an enormous plate of sausage, cheese, bread, roasted peppers, and deli meats. Her grandmother was close behind with glasses of Pellegrino for everyone. There's gossip and jokes, food and drink, and the smell of tomatoes and basil and sweat and love in every pore of your skin. It's amazing, and if it sounds a little like a movie cliché, well then you may be right but it doesn't diminish the sentiment, does it?

As we wash and carve and sort, the tomatoes go into the enormous pots to be boiled. To do this we use propane burners and huge, wooden sticks to stir. When they've cooked enough it's time to enter into Phase II, the operating of "The Machine." For years this was only done by the heads of the household. I could only look with wonder and envy from my shoddy, dark corner where I would busy myself putting basil into empty jars while all the cool stuff was taking place at "The Machine."

Here my wife's father and brother operate "the Machine," which basically skins the boiled tomatoes and pours out the uncooked sauce into pots. The skin of the tomatoes are put through "The Machine" a second time to squeeze out any juicy goodness we might have missed the first time around. Running your hands through the leftover skins is both disgusting and strangely pleasant, although that might just be me. My wife assures me it's disgusting, at least the way I was handling it with soft caresses and whispers of eternal fidelity.

Once all the juice is collected it's put into the large pots again to boil again before finally being "canned" which I always found to be a strange term since we don't use cans - we use jars. Quick note when "canning" your tomatoes - the jars should be in hot water - otherwise they can shatter when adding in the sauce.

Below find my massive army of jars awaiting tomato-goodness! They will destroy you with their fresh basil and their glassy stare!

In the end you're filthy, the tomato splatters transforming you into am extra from a 1970's giallo movie, and you find yourself wearing ridiculous things to keep the sweat from running into your eyes. Or at least I did. But when it's all over you get more than enough sauce to keep you rolling in pasta for another 3 years. You get a family event that equals holidays and vacations, and sense of accomplishment that comes with knowing you were part of something that tastes so damn good. And the weirdest thing of all about the whole process?

At the end of the day we didn't even have any sauce with dinner. We just barbecued some burgers and hot dogs.

Once (2007)

Strip away the visual effects, the fancy camera work, the MTV editing, and you're for better or worse left with the essence of what makes a film truly work: the people on the screen and the story they tell.

Early on in the film ONCE the two main characters (simply called the Guy and the Girl) sit down in a music shop. The Guy, a vacuum repairman who wants to be known as a songwriter, softly explains the chord progression and melody of the his song to the Girl, a shy immigrant from the Czech Republic who cleans homes to make ends meet while dreaming of the days she would play piano. He begins to play, quietly at first as the Girl tentatively picks out a few notes on the piano. As the song progresses, the music becomes the story of the love that will blossom between these two people, echoing the twists and turns that make up the most extraordinary of loves. It's a hearbreakingingly beautiful scene, one of the best this year.

And all the more amazing when you consider that the acting is by two unknowns, indeed the people who were originally commissioned to just do the soundtrack. Glen Hansard of The Frames, an Irish indie-rock band, was assisting his friend, former bass player John Carney when a lack of funds turned into film magic. And that's really what this is: magic. Relaying solely on the music and performances of its leads, ONCE is at once a true and fantastical look at the funny turns love can take you in over the course of a week. It's to the credit of Hansard and his co-writer/co-star Marketa Irglova that the music tells the story of their love with such simple passion, unadorned by sweeping strings and sentimentality.

All the requisite romance items are on display: the "meet-cute" with a broken Hoover, the jaded music producer who is turned around by the innocence and beauty of the music, the quiet duet where love is proclaimed. And if like the best love songs the ending is bittersweet, the feeling you leave with is one to treasure. In a summer of sequels, robots and $200 million blockbusters, the best film of the year works with two voices, a vacuum, and a piano.

QUICK REVIEW: Once (2007)

Strip away the visual effects, the fancy camera work, the MTV editing, and you're for better or worse left with the essence of what makes a film truly work: the people on the screen and the story they tell.

Early on in the film ONCE the two main characters (simply called the Guy and the Girl) sit down in a music shop. The Guy, a vacuum repairman who wants to be known as a songwriter, softly explains the chord progression and melody of the his song to the Girl, a shy immigrant from the Czech Republic who cleans homes to make ends meet while dreaming of the days she would play piano. He begins to play, quietly at first as the Girl tentatively picks out a few notes on the piano. As the song progresses, the music becomes the story of the love that will blossom between these two people, echoing the twists and turns that make up the most extraordinary of loves. It's a hearbreakingingly beautiful scene, one of the best this year.

And all the more amazing when you consider that the acting is by two unknowns, indeed the people who were originally commissioned to just do the soundtrack. Glen Hansard of The Frames, an Irish indie-rock band, was assisting his friend, former bass player John Carney when a lack of funds turned into film magic. And that's really what this is: magic. Relaying solely on the music and performances of its leads, ONCE is at once a true and fantastical look at the funny turns love can take you in over the course of a week. It's to the credit of Hansard and his co-writer/co-star Marketa Irglova that the music tells the story of their love with such simple passion, unadorned by sweeping strings and sentimentality.

All the requisite romance items are on display: the "meet-cute" with a broken Hoover, the jaded music producer who is turned around by the innocence and beauty of the music, the quiet duet where love is proclaimed. And if like the best love songs the ending is bittersweet, the feeling you leave with is one to treasure. In a summer of sequels, robots and $200 million blockbusters, the best film of the year works with two voices, a vacuum, and a piano.

BOTM for August

I completely understand why some people don't like Chuck Klosterman. At first I didn't like him either. I thought Fargo Rock City was a pretentious piece of garbage that failed to show any respect for its content, instead devolving into a series of jabs and quirks in a poorly conceived effort to make its author seem hip. Despite my loathing, I took a second plunge and read his follow-up. Sex, Drugs, and Cocoa Puffs worked a little better, but Klosterman's trip of mixing pop culture and faux social commentary still felt like he was mocking you for liking the things that only he could appear cool liking.

At this point you'll agree I would be completely justified in never reading anything else by him. Maybe I just didn't "get it." Fair enough: we'll simply agree to disagree and go our separate ways.

But a funny thing happened. For some crazy reason (a streak of masochism, perhaps?) I picked up his third book, Killing Yourself to Live, a sort of Rolling Stone meets On the Road. And I liked it. There was a humbleness missing from his earlier work and the affection he held for the material was much more evident. And as much as I derided his earlier work, I was on my way to being a Klosterman fan. Which brings us to the improbable BOTM for August, Chuck Klosterman IV, a series of profiles and essays that have appeared in numerous magazines such as Spin and Esquire over the years. Collecting over ten years worth of material into a single volume might cause some serious disjointedness (and if that's not a real word, it is now - BAM!), but to his credit Klosterman makes it all flow naturally. Whether recounting a surreal ride with Bono or offering an opinion on the United State's overwhelming need to be liked, every piece makes for interesting reading. Great "chance" read, since I picked it up while waiting for my plane in Baton Rouge, LA.

Elsewhere in the month of August:

  • Harry Potter and the Half Blood Prince/Harry Potter and the Deathly Hallows by JK Rowling - No real need to review these separately, since you can really say the same thing about every volume in the Harry Potter series. Either you like them or you don't, and either answer's fine. I re-read Book 6 (Half Blood Prince) as a primer to the final installment, and it was about as I remembered it. Not great, it pretty much serves to introduce everything that's needed to resolve the series in Book 7. And what about Deathly Hallows? Three complaints: it's waaaay too long (how many chapters do we need of Harry, Ron, and Hermoine walking around in the woods?), the deaths of some of the major characters are treated in a very off-hand, casual way with the exception of one (I'm trying to avoid spoilers), and the whole sub-plot of the "Deathly Hallows" feels tacked on. Still, at over 700 pages there was a lot to like, and I enjoyed the cheesy epilogue. If Rowling truly puts the adventures of Mr. Harry Potter down for good (hopefully), she did it with equal doses of grace and fun.
  • Night Watch by Sergei Lukyanenko - Before it was a Russian special effects extravaganza, it was the first book in an epic fantasy/SF trilogy by author Sergei Lukyanenko. Night Watch is actually divided into three parts - the movie takes it's basic plot from the fist story in the novel. All three parts focus on Anton, a mid-level magician/analyst for the Night Watch, the guardians of Light who watch over the uneasy truce between Light and Darkness. What makes Night Watch successful and different from your typical fantasy/SF work is the amount of bureaucracy Lukyanenko throws into the building of the plot. Licenses are issued, quotas need to be met, and there's in inordinate amount of paperwork involved in saving the world. This mix of the epic with the mundane is both refreshing and exciting. I'm looking forward to the next part of the series.

In between all the Harry Potter tons of comic books were read, including the final 4 trade books of Preacher, which now equals Sandman as my favorite comic ever, and The Surrogates, a kind of PKD future story that asks what the world would be like if the majority of its inhabitants interacted virtually via "surrogates" that walked the streets all day. An amazing concept that is investigated thoroughly in the trade, my only complaint is that it was tied into a truly mediocre murder mystery that had no mystery to it whatsoever.

And that's it. For September I'm switching gears a bit. After a few "lit" books (books found in the Literature section of your local Barnes and Noble or Borders) I decided to feed to beast with some comfort food, so the rest of the month is dealing primarily with books found in the SF section of your local bookstore.

Man, I almost forgot what holding a mass-market paperback felt like.